Take Five: The Soul-Searching Edition

New Releases

Finds of the Week

  • Jens Lekman performed some new songs at a recent live gig in Los Angeles, including his ode to Kirsten Dunst. 
  • The Cars are teasing some new songs on their Facebook page. Seems like the formula still works.
  • Fountains of Wayne, uncrowned kings of power pop, are still at it,releasing songs about New Jersey rivers and sitting on a finished album waiting for a label to come around and realize how awesome they are. FoW’s Adam Schlesinger is also playing shows in California with Mike Viola on Dec. 15 and 16. (So… jealous…)
  • Check out the absolutely perfect little love song that one blogger calls “the next ‘Anyone Else But You'” — Penny and the Quarters’ “You and Me.”
  • Wednesday, Dec. 8, was the 30 year anniversary of John Lennon’s death. On the way back from Norwood in the Zipcar, I was listening to the replay of Lennon’s last interview (which will be published in its entirely in the next issue of Rolling Stone), conducted just hours before his death in New York City. It was stirring, haunting but also inspiring. Bill Janovitz, aptly, marked the occasion with a song — a cover of “Beautiful Boy” — and some choice words:”It brings me a lot of comfort to believe in John Lennon the artist, as a demi-god, the life he presented to us as maybe part of the art, but no less real. He was showing a version of how to age and become a father to a generation. It brings me great comfort to think of John as a softening man and a nurturing father to a baby and then young boy. And it therefore brings me great pain to think of his murder and the loss of a father who can write a song such as this for his son.”

Around the Web

In the News

Second Thoughts

Things are changing around here. Again.

For a while, as you might have been able to tell, I fancied turning “Take Five” into a real column, interviewing interesting people involved in some way with music in addition to regular link/commentary digests such as this one. At the same time, my blogging at GeorgyCohen.com has really ramped up. The problem is, I only have so much time.

In addition, I missed the blogging I did here back in the day, way back in 2009 — it was more reflective, more personal. To me, that is an enticing complement to my more professional banter elsewhere.

So, what does this mean? It means I am relieving myself of the burdens of a schedule and expectations around “Take Five” and my music blogging aspirations. Right now, I only want to deal with one blog with an editorial calendar, and I want a space where I can write about a neat walk I took, my latest realizations about family and, yes, music — but when I want to, and how I want to. I think the expectations and structure I was placing around “Take Five” choked the life out of the rest of what this blog had become (and, most importantly, meant to me).

I still remember the feeling of euphoria I felt after my first “Take Five” post. I hadn’t written about music in a long while, and starting this feature was a way of recommitting to music writing. And it rejuvenated me. So, maybe it’s dangerous to ease up on the structure that “Take Five” imposes during a time in my life when I have been somewhat removed from music, thanks to the balky laptop monitor. But I’m also at a point where I need to pick and choose the structures in my life, in order to keep things manageable. So don’t worry, music writing won’t disappear. But like all things, this is a work in progress, so expect to see some changes. Hopefully all for the better.

2 responses to “Take Five: The Soul-Searching Edition

  1. I don’t get the love for Girl Talk. I find it pretty impossible to listen to, but admittedly I’ve avoided the new album. Maybe I ought to dip my toe back in that pool….I dunno.

  2. Thanks for the mention! :)

    Ron, I’ve found that this site helps me listen to Girl Talk: http://mashupbreakdown.com/

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